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	<title>Chris Emery — poet and publisher &#187; Work in progress</title>
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	<link>http://chrishamiltonemery.com</link>
	<description>home of the poet and literary publisher, Chris Emery</description>
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	<copyright>Copyright &#xA9; Chris Emery — poet and publisher 2010 </copyright>
	<managingEditor>chris@chrishamiltonemery.com (Chris Emery — poet and publisher)</managingEditor>
	<webMaster>chris@chrishamiltonemery.com (Chris Emery — poet and publisher)</webMaster>
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		<title>Chris Emery — poet and publisher</title>
		<link>http://chrishamiltonemery.com</link>
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	<itunes:summary>home of the poet and literary publisher, Chris Emery</itunes:summary>
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	<itunes:category text="Society &#38; Culture" />
	<itunes:author>Chris Emery — poet and publisher</itunes:author>
	<itunes:owner>
		<itunes:name>Chris Emery — poet and publisher</itunes:name>
		<itunes:email>chris@chrishamiltonemery.com</itunes:email>
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		<item>
		<title>Events unfolded</title>
		<link>http://chrishamiltonemery.com/2010/02/14/events-unfolded/</link>
		<comments>http://chrishamiltonemery.com/2010/02/14/events-unfolded/#comments</comments>
		<pubDate>Sun, 14 Feb 2010 07:34:26 +0000</pubDate>
		<dc:creator>chris_he</dc:creator>
				<category><![CDATA[Work in progress]]></category>

		<guid isPermaLink="false">http://chrishamiltonemery.com/?p=213</guid>
		<description><![CDATA[Another poem driven out of a workshop challenge from Roddy Lumsden, though this naughtily ignored the terms of the challenge and was co-opted by news events unfolding in Austria and the USA of family&#8217;s held in captivity. The Fritzl case was one thing echoing in my mind. Then there was the Garrido case. But the <a href='http://chrishamiltonemery.com/2010/02/14/events-unfolded/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>Another poem driven out of a workshop challenge from Roddy Lumsden, though this naughtily ignored the terms of the challenge and was co-opted by news events unfolding in Austria and the USA of family&#8217;s held in captivity. The Fritzl case  was one thing echoing in my mind. Then there was the Garrido case. But the poem isn&#8217;t about either story — it&#8217;s all about a fractured narrative using the soundscape of news reportage and our relationship with stories of kidnapping and the idea that our neighbours can be secretly monstrous.</p>
<h1>Petrol Lives</h1>
<p><br clear="all" /><br />
Several concave children gave evidence<br />
of internal heating deficiencies, ghosts, they said,<br />
even when the next farm was ‘kiss-my-ass’ republican</p>
<p>it would consist of ‘abominable behaviours’ though<br />
we knew parenting was edible pulp.<br />
Anyway, Lucy’s relatives were all cholesterol.</p>
<p>Boiling was never a precise art, not like<br />
having hives and the itching would not subside<br />
for days. ‘Creaking is leaking,’ the factor said.</p>
<p>For now make contact with low-ceilinged<br />
housing units and use the yellow jersey<br />
sweater Maud brought from Saffron’s, </p>
<p>the ‘turkey-handed waster’ as we knew her.<br />
Powering up the certain suit was all cluster<br />
and bluster. No one packed it in. No one moved.</p>
<p>Several planes coalesced into a single black basin,<br />
pin columns of bronze integument failed to hold<br />
the listless creepers. Motion sickness everywhere,</p>
<p>even the loyal hangers-on seemed biting and thick.<br />
No synapse provided proof but the buttresses<br />
left the cellar housing all wishy washy. ‘It was like a pit</p>
<p>of fat. We knew they were in the oil. He was a loafer, too.<br />
Never coming out.’ The desk sergeant made calls:<br />
one with a giant gland and uppity manoeuvres </p>
<p>which held the bones of the family together,<br />
the other, long distance, was less secure, ‘I can break him.<br />
He will cry with the teeth of it.’ On ring back now.</p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>A little heresy does you good &#8230;</title>
		<link>http://chrishamiltonemery.com/2010/02/14/a-little-heresy-does-you-good/</link>
		<comments>http://chrishamiltonemery.com/2010/02/14/a-little-heresy-does-you-good/#comments</comments>
		<pubDate>Sun, 14 Feb 2010 00:05:43 +0000</pubDate>
		<dc:creator>chris_he</dc:creator>
				<category><![CDATA[Work in progress]]></category>

		<guid isPermaLink="false">http://chrishamiltonemery.com/?p=210</guid>
		<description><![CDATA[The Third Church of Christ Psychopath In the Third Church of Christ Psychopath no ruined mothers may pray for dust. Occasionally unelected Elders order random executions of executives that priests on weekdays covertly choose as saints. And large-scale whippings often ensue on traditional Nights of Holy Disaffection. Such nights being wholly charged with miraculous bouts <a href='http://chrishamiltonemery.com/2010/02/14/a-little-heresy-does-you-good/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<h1>The Third Church of Christ Psychopath</h1>
<p><br clear="all" /><br />
In the Third Church of Christ Psychopath<br />
no ruined mothers may pray for dust. Occasionally<br />
unelected Elders order random executions of executives<br />
that priests on weekdays covertly choose as saints.<br />
And large-scale whippings often ensue on traditional<br />
Nights of Holy Disaffection. Such nights being wholly charged<br />
with miraculous bouts of ritual boasting from the grave.<br />
On Tuesdays, steel crosses are recycled in each parish<br />
for the conversions of the famished poor, whom we adore<br />
as divine atrocious food, all gristle and lice. And obese<br />
flagellants repose on the designated benches, staring at<br />
a prostrate sea, their incandescent robes signifying still<br />
neglected island martyrs, stalwarts of the recent purges,<br />
for whom most pray for dunkings in the Hermeneutic<br />
Lake of Blood. And idealistic Wednesday pogroms<br />
in season still flourish, where, through the provinces,<br />
bishops in shabby wigs ride pigs through the streets,<br />
stopping only to piss on the lewd exiles of the Faith.<br />
Everyone takes time to share god&#8217;s lesson of venomous<br />
absence with the sad pathetic Council of the Damned.<br />
And all the while, itinerant priests continue calling on tall<br />
houses in the city, lecturing insomniac Magistrates<br />
and Councillors on the indecency of science<br />
and the amnesty of lies.</p>
<p><small>First published in <em>New Writing 8</em>, edited by Tibor Fischer and Lawrence Norfolk (Vintage, 1999)</small></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Seated, hands planted firmly, so</title>
		<link>http://chrishamiltonemery.com/2010/02/12/seated-hands-planted-firmly-so/</link>
		<comments>http://chrishamiltonemery.com/2010/02/12/seated-hands-planted-firmly-so/#comments</comments>
		<pubDate>Thu, 11 Feb 2010 23:33:50 +0000</pubDate>
		<dc:creator>chris_he</dc:creator>
				<category><![CDATA[Work in progress]]></category>

		<guid isPermaLink="false">http://chrishamiltonemery.com/?p=191</guid>
		<description><![CDATA[The Writer He sits in the fraying shirt with epaulettes, hands placed squarely on the knees, so, loyal perhaps, back taut. He sits in the beach-dreck chair facing the south window, the long, taupe, negligible oblong, where we hear (should we lean) such tremendous sounds as the landscape affords. He imagines tart packages of darkness <a href='http://chrishamiltonemery.com/2010/02/12/seated-hands-planted-firmly-so/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<h1>The Writer</h1>
<p><be clear="all" /><br />
He sits in the fraying shirt with epaulettes,<br />
hands placed squarely on the knees, so, loyal perhaps,<br />
back taut. He sits in the beach-dreck chair<br />
facing the south window, the long, taupe, negligible<br />
oblong, where we hear (should we lean)<br />
such tremendous sounds as the landscape affords.<br />
He imagines tart packages of darkness in rotation,<br />
winds over plantains, young birds, rasping yards<br />
and, wrapped under the torrid roots, the thin worms<br />
glistening in their white sinecures, eating the past.<br />
We cherish his hard back. We stand behind him and work<br />
around the den to see his grey ears, thick sideburns,<br />
then notice the sudden fuchsia ridge, the blackened<br />
accoutrements of the smashed face. He’s all caved in.<br />
Days pass. Years. We wander. How could we not wander<br />
about his intense, heavy frame. We watch the faceless one<br />
watching, a damaged cuckold watching the shade<br />
over the skins of the timbers, the skins of the walls<br />
settling in the lank tableau. We are moving like hair<br />
in the powdered light over the atrocious basin<br />
of the head, until we notice the mirror sharply recovering<br />
the battery and disgrace and find we are seated alone,<br />
loving again in the wild escutcheons of the days. </p>
]]></content:encoded>
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		</item>
		<item>
		<title>The family have been informed</title>
		<link>http://chrishamiltonemery.com/2010/01/28/the-family-have-been-informed/</link>
		<comments>http://chrishamiltonemery.com/2010/01/28/the-family-have-been-informed/#comments</comments>
		<pubDate>Thu, 28 Jan 2010 17:35:22 +0000</pubDate>
		<dc:creator>chris_he</dc:creator>
				<category><![CDATA[Work in progress]]></category>

		<guid isPermaLink="false">http://chrishamiltonemery.com/?p=184</guid>
		<description><![CDATA[This piece stems from the Bush/Cheney days. I still like it. It&#8217;s fascinating watching British TV now, as the whole war is disentangled in an understated, completely devastating way. A monstrous saga, still not at an end, and powered by abstract conviction about the world and its desirable shape, its desirable resources. One is left <a href='http://chrishamiltonemery.com/2010/01/28/the-family-have-been-informed/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>This piece stems from the Bush/Cheney days. I still like it. It&#8217;s fascinating watching British TV now, as the whole war is disentangled in an understated, completely devastating way. A monstrous saga, still not at an end, and powered by abstract conviction about the world and its desirable shape, its desirable resources. One is left wondering if it was really about the oil, and more about some sense of structural legacy, a fear, ultimately, of impotence.</p>
<h1>From the Centre</h1>
<p><be clear="all" /><br />
Once your eyes have adjusted to the burning<br />
scan through those racing battalions:<br />
that mouth, idle elbows, and then tilt your head like this<br />
to observe an arranging sea of grit. You can sense</p>
<p>the singing or crying, crying or singing,<br />
where it is a high-throated sort of commotion<br />
for the day. Anyway, no one wings it<br />
in the compound. We’re poverty in motion.</p>
<p>How we ended up here is funny, like a shiny<br />
belly or bare flank, or it could be that ash-<br />
coloured, hose-damp concrete there.<br />
Every child distorts the man, and man the cash.</p>
<p>Look at it raining down — sordid, localised love<br />
beside electric couples filming, or are they fleeing,<br />
the gift. It is an entirely live feed while we learn scripture<br />
from wire. Someone says, ‘Nomads in waiting,’</p>
<p>as we become scintillating, free in the debris.<br />
Don’t catch life out, then, and watch the traffic.<br />
Now you know when the slap up meals fall out<br />
of those sacks we’ll be taking home our pick</p>
<p>of your bomb-retiring heroes, day and night,<br />
night and day, those clean-cut silent flags of ham-<br />
burger heaven still warm under props. Later we’ll<br />
be zooming or seething through that dream</p>
<p>up dislocated arterial routes, shaky gorgons<br />
in the zone. Together again, we are a modern fog,<br />
the idea of the better dead, immortalised grey<br />
eyes above subtitled totally idealised dialogue.</p>
<p>No one adheres to the precise terms any more.<br />
The streets shiver like widows this afternoon of very<br />
large government, we’ll ape out the speeches<br />
of the ape. Our country is his artery.</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>A family affair</title>
		<link>http://chrishamiltonemery.com/2010/01/28/a-family-affair/</link>
		<comments>http://chrishamiltonemery.com/2010/01/28/a-family-affair/#comments</comments>
		<pubDate>Thu, 28 Jan 2010 08:29:49 +0000</pubDate>
		<dc:creator>chris_he</dc:creator>
				<category><![CDATA[Work in progress]]></category>

		<guid isPermaLink="false">http://chrishamiltonemery.com/?p=178</guid>
		<description><![CDATA[Here&#8217;s another filmic poem. I like to write from the perspective of a film maker, and often move around the poem in the way a camera man would. Checking the angles, looking for the cut away shots, adjusting the lighting to build the scene up. This poem takes place in an undetermined Latin American town. <a href='http://chrishamiltonemery.com/2010/01/28/a-family-affair/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>Here&#8217;s another filmic poem. I like to write from the perspective of a film maker, and often move around the poem in the way a camera man would. Checking the angles, looking for the cut away shots, adjusting the lighting to build the scene up. This poem takes place in an undetermined Latin American town. A small town. There&#8217;s an element of threat in the piece, which is another thing I like to see engineered into a poem. Some risk. Some tension.</p>
<h1>Eduardo</h1>
<p><br clear="all" /><br />
Our fine neighbour, Eduardo,<br />
known locally as ‘an hour with the pig’<br />
is folded in viridian evening beside blocks and hooks.<br />
Folded neat and hot, he is all helmet-like.</p>
<p><em>Teeth grind of moped. Lolloping begonias.</em><br />
He plays Carmina Burana considering workaday beauty,<br />
yet it is a bad Decca recording and he tires of it. He loves justice on TV<br />
and the weekly surgery of romance: the doomed brides.</p>
<p>‘Eduardo,’ they shout. ‘Do not sleep at your sister’s place tonight.’<br />
He is pinched up considering his inept grasp of planets,<br />
He is everyone’s fastidious shark, happily cutting, cutting,<br />
cutting to the end.</p>
<p>Fermina does not have his weakness for display.<br />
She is emboldened by her single mole, a loyal creature<br />
beneath the mighty storm and a century of town smoke.<br />
‘She will phone tonight,’ Eduardo says, </p>
<p>‘and discuss the shapes of her cabaret, her sour winds of love.’<br />
Eduardo imagines crudely that her mattress is the horn of plenty<br />
despite his abhorrence of winter perfume<br />
and spitting gutters. There are no coyotes.</p>
<p>He chews on the spandrels of some grey meat<br />
and picks out sequin pips for Fermina’s wan retrieval this evening.<br />
There is so much affection in his brother’s gaze.<br />
Lodged inside the weathered purse of his face he is quite terrible. </p>
<p>He has always procrastinated over business meals like this.<br />
Fermina will be revered inside a new family procedure<br />
where we shall leach from out our shadows towards the stitches of stars.<br />
Our mouths are gaping now in the drapery behind her.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>What Freddy Ricketts said &#8230;</title>
		<link>http://chrishamiltonemery.com/2010/01/28/what-freddy-ricketts-said/</link>
		<comments>http://chrishamiltonemery.com/2010/01/28/what-freddy-ricketts-said/#comments</comments>
		<pubDate>Thu, 28 Jan 2010 00:52:30 +0000</pubDate>
		<dc:creator>chris_he</dc:creator>
				<category><![CDATA[Work in progress]]></category>

		<guid isPermaLink="false">http://chrishamiltonemery.com/?p=174</guid>
		<description><![CDATA[Charly Whelan’s mam Charly Whelan’s mam was a fucken whore, her fanny big as a dustbin liner. It would eat you up, shoes and all, then roar through the panty lounge with air fresheners for perfume, so Freddy Ricketts said. She did twos up and nobody noticed. Except for Big Dennis from Birkenhead, who loved <a href='http://chrishamiltonemery.com/2010/01/28/what-freddy-ricketts-said/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<h1>Charly Whelan’s mam</h1>
<p><br clear="all" /><br />
<em>Charly Whelan’s mam was a fucken whore,<br />
her fanny big as a dustbin liner.<br />
It would eat you up, shoes and all, then roar<br />
through the panty lounge with air fresheners </p>
<p>for perfume</em>, so Freddy Ricketts said.<br />
She did twos up and nobody noticed.<br />
Except for Big Dennis from Birkenhead,<br />
who loved her pussy when he was shit faced</p>
<p>and home from the clink for a month of harm;<br />
banged up for petrol bombings, racial spite.<br />
Charly laughed his arse off and said his mam<br />
was reeking and puking from the all-night</p>
<p>benders at Sinatra’s. But that was then.<br />
Mr Right and Mrs Pong worth nowt.<br />
Last Wednesday in the Bendix she pegged out.<br />
Charly said she’d always be forgotten.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Transpennine express</title>
		<link>http://chrishamiltonemery.com/2010/01/28/transpennine-express/</link>
		<comments>http://chrishamiltonemery.com/2010/01/28/transpennine-express/#comments</comments>
		<pubDate>Wed, 27 Jan 2010 23:51:49 +0000</pubDate>
		<dc:creator>chris_he</dc:creator>
				<category><![CDATA[Work in progress]]></category>

		<guid isPermaLink="false">http://chrishamiltonemery.com/?p=168</guid>
		<description><![CDATA[Last time I was back up north, I had to travel to Leeds before heading back to Cambridge — a journey in the wrong direction, but I studied painting and print making in Leeds in the 80s and the journey became a kind of retreat into the past. Boy’s Town Clanging by, most patios are <a href='http://chrishamiltonemery.com/2010/01/28/transpennine-express/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>Last time I was back up north, I had to travel to Leeds before heading back to Cambridge — a journey in the wrong direction, but I studied painting and print making in Leeds in the 80s and the journey became a kind of retreat into the past.</p>
<h1>Boy’s Town</h1>
<p><br clear="all" /><br />
Clanging by, most patios are squalid tips pouring into lawns<br />
of carburettors, broken baths and bogs, or leaking<br />
pigeon houses, mossy, skeletal. The bricked-up space yawns<br />
past with its noose of hawking kids, each red estate leaching</p>
<p>out their dreams with piles of squat architecture, canals and dogs.<br />
Is this tableau meant for our sweaty Pennine journey? At gable ends<br />
70s graffiti lists the names of dads and granddads: Suggs<br />
and Bez, Pez and Spud, the sniffing gangs who make amends</p>
<p>in B wing as their cage of youth swung shut on race and loyalty<br />
and broken knives. In these rushing archipelagos of broken bleary<br />
Escorts and Sierras, a wintry pub displays its tarry<br />
puddled roof, glinting with defenestrated urban grey utility,</p>
<p>all of it idly monitored, and somehow happy if crappy. Somehow,<br />
it is indistinguishable: there’s the surgery (Methadone on Wednesday)<br />
and steamy chippy, too. This methodical morning is a short ride, elbow<br />
to elbow, hearing the stations as our thin society blows its wages, gobby</p>
<p>and reprieved, while the buses come to take commuters home.<br />
The bypass has left a few suits to congregate by iron work and riveting:<br />
gas towers, viaducts, then bookies, it’s like some 50s English poem<br />
that guards its lines like queues of men, first sorting, then departing.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Big hair and pixie boots</title>
		<link>http://chrishamiltonemery.com/2010/01/28/big-hair-and-pixie-boots/</link>
		<comments>http://chrishamiltonemery.com/2010/01/28/big-hair-and-pixie-boots/#comments</comments>
		<pubDate>Wed, 27 Jan 2010 23:37:48 +0000</pubDate>
		<dc:creator>chris_he</dc:creator>
				<category><![CDATA[Work in progress]]></category>

		<guid isPermaLink="false">http://chrishamiltonemery.com/?p=164</guid>
		<description><![CDATA[Back in Manchester in the 80s I got caught up in the riots and got beaten quite badly by a gang of lads. One bloke had brass knuckles on and I ended up losing several teeth, getting my nose broken, and generally was messed up. A Short History of the Manchester Riots In Chichester Road <a href='http://chrishamiltonemery.com/2010/01/28/big-hair-and-pixie-boots/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>Back in Manchester in the 80s I got caught up in the riots and got beaten quite badly by a gang of lads. One bloke had brass knuckles on and I ended up losing several teeth, getting my nose broken, and generally was messed up. </p>
<h1>A Short History of the Manchester Riots</h1>
<p><br clear="all" /><br />
In Chichester Road I lost my teeth in 1981<br />
on the pavement of a social studies website not begun,<br />
in cream and orange cine-8 where gangs were surging<br />
and everyone wore big hair and pixie boots.</p>
<p>It was <em>opéra bouffe</em> outside Loreto college<br />
where the needy queued in second hand serge.<br />
Observe the brass knuckled uppercut in slo-mo<br />
and watch me kiss each shining node just so.</p>
<p>No kerchief for my running mouth, the zygomatic bone<br />
depressed, and plumb-line nose gone for a Burton,<br />
I travelled off imagining a month of tubes and soup<br />
from that place of the Sisters of the Blessed Virgin Mary</p>
<p>to Manchester Royal Infirmary,<br />
and waited for the goats in white between two boys in blue<br />
like it was Orgreave or Maltby and the lines were drawn.<br />
But that was all to come, a few years on the Tory dream</p>
<p>would cut a of swathe of diffidence across the pews,<br />
wearing Westminster’s finest ketchup and swords of truth,<br />
while far-off Hulme was history. We knew that ruin had begun.<br />
In Chichester Road I lost my teeth in 1981,</p>
<p>with a face like Mickey Rourke after the umpteenth face lift,<br />
or bulging like a Stan Lee über-villain with my crones.<br />
I learned that culture meant six months of dentistry<br />
and justice was the sordid life of bones.</p>
]]></content:encoded>
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		<title>Poem for Padrika</title>
		<link>http://chrishamiltonemery.com/2010/01/28/poem-for-padrika/</link>
		<comments>http://chrishamiltonemery.com/2010/01/28/poem-for-padrika/#comments</comments>
		<pubDate>Wed, 27 Jan 2010 23:17:18 +0000</pubDate>
		<dc:creator>chris_he</dc:creator>
				<category><![CDATA[Work in progress]]></category>

		<guid isPermaLink="false">http://chrishamiltonemery.com/?p=159</guid>
		<description><![CDATA[Still working on this, chopping it down, chipping away at it. Paddy&#8217;s stories are astonishing pieces of writing, and I love Broken Things. Somehow or other I started working on this after a brief chat on MySpace. This Angel for Padrika Tarrant This angel was banged up in his blood. He looked like a pile <a href='http://chrishamiltonemery.com/2010/01/28/poem-for-padrika/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>Still working on this, chopping it down, chipping away at it. Paddy&#8217;s stories are astonishing pieces of writing, and I love <em>Broken Things</em>. Somehow or other I started working on this after a brief chat on MySpace.</p>
<h1>This Angel</h1>
<p><em>for Padrika Tarrant</em></p>
<p>This angel was banged up in his blood.<br />
He looked like a pile of old decorator&#8217;s sheets<br />
left to collect god&#8217;s beetles in a corner.<br />
His head was full of rain.</p>
<p>Words gurgled in his throat, but nothing much came out.<br />
His mind was like a silent movie<br />
fading in vignettes of exception bathos:<br />
moneyed disastrous staring; wives on the tracks;<br />
distended white dresses in the scrutiny of this oven.</p>
<p>There was some kind of heresy of maths calculating altercations<br />
for the suicide, his mouth full of carvings like<br />
hands full of hearts, fires full of legs,<br />
old bird bodies upended in trash cans. The angel watched.</p>
<p>When he stood up to scratch an awkward spot<br />
he was this ornate hat stand with too many coats piled on.</p>
<p>He never flew but loved conviction politics<br />
with their residues of laughter.<br />
Every day life filled with dismal wonder.</p>
<p>He yearned for extermination and a little trip.<br />
He stroked the children in their clay chambers.<br />
He packed their eyes with delicious crumbs.</p>
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		<title>Breakfast included</title>
		<link>http://chrishamiltonemery.com/2010/01/22/breakfast-included/</link>
		<comments>http://chrishamiltonemery.com/2010/01/22/breakfast-included/#comments</comments>
		<pubDate>Thu, 21 Jan 2010 21:43:56 +0000</pubDate>
		<dc:creator>chris_he</dc:creator>
				<category><![CDATA[Work in progress]]></category>

		<guid isPermaLink="false">http://chrishamiltonemery.com/?p=154</guid>
		<description><![CDATA[A side effect of all professional life is the 3 a.m. existential horror of the air-conditioned hotel en suite bog. Alone in a single room. There&#8217;s another post on the site about this, but here&#8217;s a conventional narrative where the hotel takes centre stage. I think I&#8217;d done some Creative Writing teaching somewhere, not the <a href='http://chrishamiltonemery.com/2010/01/22/breakfast-included/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>A side effect of all professional life is the 3 a.m. existential horror of the air-conditioned hotel en suite bog. Alone in a single room. There&#8217;s another post on the site about this, but here&#8217;s a conventional narrative where the hotel takes centre stage. I think I&#8217;d done some Creative Writing teaching somewhere, not the postcode given here, and I thought, let&#8217;s hear this hotel speak &#8230;</p>
<h1>M1 3LA</h1>
<p><br clear="all"/><br />
Up the pissy steps we find nostalgia’s vein-blue glamour<br />
sweeping under chandeliers and a dominating<br />
stairwell, cloistered bridges and gantries<br />
and dark batik where hoteliers in sulking combat sit<br />
maybe they’re fed up faking it with crimpolene<br />
for mauve itinerant weddings or watching<br />
the unhitched come past name-boarded rooms<br />
straight from the sales circuit to some daft do<br />
on sill linings or Mitsubishi extractor fans<br />
all scooting in from Bromley and Burnley<br />
on £20K contracts with options for export.<br />
The car park is all sun-roofed Mondeos.<br />
The cladded bars are putty coloured, and flooded<br />
with Sky Sports where the peeling edge of youth embarks<br />
on suited years of margins on the way to a Dad’s<br />
divorce or dividends, drizzle and Droylsden’s<br />
best kept secret, moored to all these structured terms.<br />
We sidle up among the winding men intent on<br />
feeding this necrosis of signage and pull up<br />
a pew to spot a few lame souls sat reading<br />
the monthlies in Edwardian kitsch. So<br />
gone up in the world, and yet gone off. The tide<br />
has turned, the boats have sailed, and all of us<br />
are stranded in this little local absence, making of it<br />
what we can, not filled with laughs or money, carried<br />
over six pints of Boddies and a go at the vids<br />
before the bells call time and Sugsy coughs up<br />
on the cards and Darren shuts up shop on his Chinese<br />
bonded plastics tale; he’s almost bagged it now.<br />
Our lives are made between such repetition,<br />
like the Manchester Hollywood boudoir thing,<br />
where ideas still die among the lazy girls<br />
and rooms of cheap cutlery. Bed time now. The salad<br />
bars are gaping still in stolidly lit suites.<br />
Six flights up we separate into our cares like fish<br />
along the empty lungs of corridors like one<br />
exit from home. We hit the padded fungus of a bed<br />
in yeasty air and muzak, the telly freeze-framed<br />
on a grinning line of chefs, shot in some spittoon of an atrium<br />
in Gatley. Once we work the handset out we hop about.<br />
How many of us strip before the atrocity of the mirror?<br />
Unpeeling selves like a bridge into some white error<br />
of arse and thighs, the tide mark of pubic hair greying now.<br />
The air con whistles and shifts its haunches. The toilet groans.<br />
Sleepless at three, we draw back jacquard curtains<br />
on the soaking brick Elysium of sacral urges in this city,<br />
all eyes up for what refocuses on icy panes, those body smears<br />
catching vacant light like a Vaseline ghost and in<br />
those whorls of communion we see the mad swifts’<br />
shrieking circuits echoed over torpid crowds and feel<br />
or half sense each torso lifting in the livid air<br />
towards a trace-setting where hopes perpetually pour.</p>
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